Reading Rebecca as Gothic
Rebecca is often referred to as a Gothic novel, but what exactly does that mean? Last month at the Fowey Festival of Arts and Literature, Dr Serena Trowbridge presented a talk on the subject, describing what makes a novel Gothic and explaining the rules of what needs to be in a Gothic novel. It is a genre of literature which goes back to the 18th century. Yet, Daphne du Maurer’s most famous novel, Rebecca, published in 1938 and still as popular today as it was then, fulfils many of the criteria of the Gothic novel.
Serena is Reader in Victorian Literature at the School of English, Birmingham City University. She teaches a module on Gothic Literature to her final-year students. In the module, they consider novels in the genre, including Jane Eyre (1847) by Charlotte Brontë, Rebecca (1938) by Daphne du Maurier and The Little Stranger (2009) by Sarah Waters.
Last year we brought you some excellent essays written by Serena’s students. They described Gothic literature by discussing and comparing a number of different novels in the genre and the elements of the novels that mean they conform to the Gothic.
This year we are delighted to be able to bring you examples of coursework from three of this year’s students. Each of these essays was exceptional and gained their writer’s the highest marks. Each takes a Gothic novel and compares aspects of it with Rebecca.
In her essay, Deb Daniel asks the question, Is the passive woman the ideal woman? She writes about The Castles of Athlin and Dunbayne by Ann Radcliffe, published in 1789, and Rebecca by Daphne du Maurier.
Cameron Aitken’s essay, Surface, Appearance, and Representation in Gothic Literature: A Psychoanalytic Approach to Terror and Horror, discusses The Monk by Matthew Lewis, published in 1796 and Rebecca.
How is female sexuality explored in Jane Eyre and Rebecca? in the name of Georgiana Copeland-Brown’s essay, in which she discusses Jane Eyre by Charlotte Brontë, published in 1847, and Rebecca.